And there was “no really big aesthetic brief” for new recruit Waterson, now a veteran of seven Bond films and over 20 years on the franchise: “We weren’t in an era of Marvel superhero physiques.”īrosnan’s third Bond film, 1999’s The World is Not Enough, presented some particular demands: lunges and other ski-type movements for the mountain sequences agility, hand-eye speed, coordination and ducking under pipes for the fight with Robert Carlyle’s terrorist Renard aboard a sinking submarine. This Bond was the rather more lithe Pierce Brosnan, then filming Tomorrow Never Dies, his second outing in the tux (by Brioni). And this was a different Bond: not Daniel Craig, arguably the most A-list of the V-shaped clients whose bodies Waterson would go on to transform: Chris Evans for 2011’s Captain America, Chris Pratt for 2014’s Guardians Of The Galaxy, all the Chrises, plus a Tom (Hiddleston), Jake (Gyllenhaal) and Benedict (Cumberbatch). These days, the idea that a rookie PT might receive an out-of-the-blue phone call to go to Pinewood Studios in Buckinghamshire, 20 miles west of London, and audition for a supporting role with the world’s least secret agent is as far-fetched as an invisible Aston Martin.īut this was a different time: 1997. Finding himself opposite a fully naval-uniformed Commander James Bond was particularly surreal for Simon Waterson, who’d only just left his post as a physical training instructor in 845 Naval Air Commando Squadron.
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